‘great pleasure is derived from Chevalier’s sense of place. In her hands, late 18th-century London and Lambeth in particular spring to life, and you see a city teetering on the brink of the rapid expansion and industrialisation that is about to change it forever' 'Great pleasure is derived from Chevalier's vivid sense of place. 'Chevalier's characteristic love of detail - from the smells of the cattle market to a grotesque description of a man eating a pie - brings Georgian London vividly to life, while meticulous research allows her to weave fact and fiction into a convincing and persuasive narrative' 'Her pen-sketches of the squalor, smells and sounds of low-life London flesh out the history into immediacy' Susan Vreeland, Waterstone's Books Quarterly
‘Marvellously plotted.Chevalier masterfully works the themes and images of Blake's poetry into a tale of pure souls "burning bright" in a tarnished, slippery world' ‘Passionate and compelling it provides a fascinating historical insight.’
'Those who admired Chevalier's atmospheric evocation of 17th-century Delft will find much to enjoy in her vivid reconstruction of late 18th-century London' 'A subtle clarity of style, quirky but seldom over-drawn characters, engaging touches of domestic detail and a splendidly vital recreation of Georgian London' 'Burning Bright is an ambitious, impressively-researched novel.You can almost smell the smoke and mildewed clothes, see the gaunt, pock-marked faces of people struggling to survive and sense Jem's wonder as he gazes across the murky Thames to a perplexing world' Chevalier's meticulous brushstrokes allow us to hear the "youthful harlot's curse" and feel "the damp souls of housemaids"'
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